Monday, September 1, 2014

Sculpture in Context 2014

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Sculpture in Context 2014 in The National Botanic Gardens, Glasnevin, Dublin.
4th September to 17th October 2014

Sculpture in Context 2014 returns once again to the National Botanic Gardens, showcasing the work of Irish and international artists. It is the largest and most prestigious outdoor sculpture exhibition in Ireland.
Sculpture in Context was established in 1985 to raise the profile of sculpture and provide a platform for artists outside the normal gallery context. It is a not for profit organisation run by sculptors. The exhibition was founded by Cliodna Cussen, Colm Brennan and Gerard Cox and originated in Fernhill Gardens where it ran for 10 years. Since then it has been hosted in the Conrad Hotel, Malahide Castle, Kilmainham Gaol, the Irish Management Institute, Dublin Castle, Farmleigh House and since 2002 has been held in the magnificent National Botanic Gardens.

Sculpture in Context promotes artists and creates opportunities for practicing artists to exhibit their works in a wider public arena.  The organisation has provided much needed opportunities for Irish and non-Irish sculptors in Ireland.
In total there will be 150 pieces on display this year (including a number of small pieces in the gallery above the cafe). This is a wonderful opportunity to explore the stunning botanic gardens and discover dozens of art works placed all around the gardens and within the glasshouses. 
These photo collages are just a little taste of what will be on view for the duration of the exhibition.  

I am delighted to announce I have a piece in this years exhibition. 
This natural stone and mirror mosaic piece consists of golden granite and iconic Liscannor sandstone from Co. Clare (I visited this quarry a while back with the DSWAI. Read more about this iconic stone here
I have made a number of square and rectangular mosaics for gardens before but, to the delight of my steel fabricator (note hint of sarcasm) I decided to go with a more organic shape this time   



Its funny, when I'm working away on a piece in the studio it always looks so much duller. Endless hours painstakingly splitting down pieces of stone with grinder and chisel, wondering if it will all come together.
Thankfully, as always, my uncertainties are put to rest when the piece is cleaned up and put out in its garden setting. That moment when the sun comes out and the piece begins to glisten, reflecting back the lush garden greens and the ever changing sky, that is when I fold my arms and give it the nod of approval.       

Sculpture in context officially opens to the public on Thursday the 4th September and will run to 17th October 2014 so plenty of time to come see all these great pieces on display. And if you're in the market for buying a unique piece of  art be sure to bring your cheque book as most of the pieces on display will also be for sale.
The gardens are open Monday to Friday 9 am - 5 pm and Saturdays, Sundays and Public Holidays 10 am - 6 pm. Be sure to call into reception and get yourself a catalogue so you don't miss any of the pieces waiting to be discovered around the gardens.  

Wednesday, June 25, 2014

The birth of a new Stone Festival in Donegal

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Last Thursday I packed my bags and pointed my car north for Donegal. I have been wanting to get to Donegal for some time but for some reason Donegal always seems so far away. But now I had a good excuse to free up some time (as if you need a good reason to go to Donegal)  
Mountcharles Sandstone Pier, Mountcharles, Co. Donegal
Turns out the trip up is not so bad at all, I even had time to stop off along the way at Loughcrew in County Meath to find the ancient stone seat known as The Hag's Chair a massive engraved kerbstone on the north side of Cairn T, at Loughcrew. I have mentioned this seat in a blog post before which you can read here
The Hag's Chair, Loughcrew, Co. Meath
After a good stretch of the legs and a crawl into the centre of Cairn T (a similar structure to Newgrange)  I got back in the car to finish my journey to Donegal. There were many other stone sites along my route which I wanted to visit, but I knew that this was going to be the first of what will become an annual pilgrimage to Donegal, and there would be plenty of opportunities to see these great sites down the line.
"So how's about getting to the point and tell us why you're going to Donegal" you are surely saying by now. 
Well as the title of the post suggests, my trip to Donegal was to be part of an exciting new stone festival that is to be an annual event in Donegal.
Organised by the Donegal branch of The Dry Stone Wall Association of Ireland  (DSWAI) with the support of the Donegal County Council and the ETB  the festival included dry stone wall building, stone letter cutting and carving, talks by master masons and sculptors and topped off with a tour of the local sandstone mine.

Dry Stone Walling 
The dry stone project was set in a picturesque setting along the Donegal coastline on the Wild Atlantic Way by the historic sandstone pier of Mountcharles. This area's rich stone heritage is ever evident, from the walls that line the coastline to the huge local sandstone blocks that form the beautiful Mountcharles Pier, from where the stone from the local quarries was shipped off to build many grand halls and churches around the country and abroad.
Mountcharles Pier
The task for the dry stone walling project was to rebuild a large section of wall that was washed away during a massive storm which left stones scattered over a large area of land it had once protected.

The footprint of the original wall
A pep talk by Rónán Crehan gets the building under way
Scottish Master Craftsman Nick Aitken keeping an eye over the footings  
A dry stone waller in the making
Stonemason Michael Mc Groarty splits and shapes stone to create gate posts
Stones plunged and feathered 
Placing the gate posts
Master Craftsman Sean Adcock from the North Wales branch of DSWA UK keeps local man Donagh O Callaghan and Canadian Jacob Murray on their toes  
The wall builders of day one

Nick Aitken and DSWAI treasurer Louise Price set copping stones 
An old Irish penny from 1941 found in the wall
There is an age old tradition of putting a time capsule in a wall as you build. This is often in the form of a bottle or a coin. I found this old penny from 1941 in between the stones of the original wall footings. I too regularly throw a few coins into a wall (the amount depending on how plush I am feeling at the time) I made sure to throw a few euros into this wall as well for some other mason to find down the line in another 100 years or so.
Rónán Crehan posing in 'stile'
Built using stone from the original wall and recycled stone from a old cottage, all of the stone used is the local sandstone. Over the course of two days over 45 yards of wall was built by a team of about 40 participants per day.  
The finished wall

Stone Carving and Letter cutting Workshop with Brendan McGloin
Located just 500 meters from Mountcharles pier is the lovely Salthill Gardens, the courtyard of which was the location of our stone carving workshops. As you walk towards the gardens from the pier, the soft tapping sounds of hammer on chisel can be heard coming over the high stone walls of the gardens that protect the lush and delicate garden inside from the harsh salty sea air.
Carving at Salthill Gardens
Up to 12 students per day got to try their hand at letter cutting and stone carving

 Kieran Keeney sharpening chisels
Landscape architect Dave Ryan feels at home, surrounded by plants and stone as he carves


The carving workshops were run by sculptor Brendan Mc Gloin who has been working with stone for over 25 years. His legacy to date includes an incredible full scale replica of the high cross of the scriptures at Clonmacnoise. The cross took almost three years to complete and is an incredible site to behold. The finished cross now sits on the summit of Mt Calvary, Portland Oregon, USA. Brendan also gave a fascinating talk and media presentation over the weekend that gave a wonderful insight into the enormity of the project. Click here to see a short 6min film about this work.    
Brendan and his recreation of the cross (Image copyright of Brendan Mc Gloin)
Nick and Louise look in wonder at Brendan McGloin's model of the Clonmacnoise High Cross of which Brendan carved a stunning full scale replica over a 3 year period. 
One of Brendan's carvings on display at Salthill Gardens


A trip to the mines
One of the highlights of the festival was a tour of the sandstone mines of Drumkeelan just a mile northwest of Mountcharles. 

The entrance to the mine
Rónán giving a description on the surface quarry.
Arriving at the quarry entrance
We are met at the entrance of the mine by local historian Eamonn Monaghan, who also gave a fascinating talk at the festival the day before about the history of the stone industry in the area.
Around 300 million years ago in the Carboniferous period Donegal Bay was much larger than in the present day.  It stretched from Killybegs in the west, through Lough Eske in the centre, to Laghy in the east. The Carboniferous rivers were eroding the same hills as we see today (although these would have been much higher and less rounded) carrying sediment into the bay to form the sandstones which occur around Drumkeelan and upon which the stonemasonry industry in the area is based.
In the townland of Drumkeelan, northwest of Mountcharles, is a rock outcrop known as Drumkeelan mine. This site has a very long history of stone mining, back to at least the late 12th century. It provided high quality stone suitable for monumental work and masonry. Some important public buildings, such as the National Museum of Ireland, the National Library, Leinster House (the Dail) and Sligo Town Hall used Drumkeelan stone in their construction. The mine was active up till the 1950's

The effort put into the tour was outstanding. The entire mine shaft was lit up using candles and lamps, just like it would have been during the times it was in use.

One of the original miners oil lamps
Peter, Deirdre and family explore the mines
Sandstone is much softer when it is first taken out of the ground, as it is exposed to the elements the silts wash out of it and it becomes much harder to work. For this reason it was more economical to mine the stone rather than opencast it.
In the mine a weak layer of silt material above the sandstone was removed first making a small space, allowing blocks of stone to be wedged up from their beds and removed. They would then be moved through the mines shaft with the aid of rollers and bars.  As the stone was extracted,  the roof would be supported mainly by a pack of waste stone stacked to the sides like dense dry stone walls. The Abbey Assaroe was built in 1180, so it is known that quarrying started around this time. A carved sandstone lamp found in the mine suggests mining could have already started in the middle ages. Locally the stone was used to build the Killybegs Coastguard Station, the Provincial Bank in Ballyshannon, the Town Hall in Sligo and St Eunan and St Columba Cathedral in Letterkenny
Arriving at a larger chamber, Eamonn stops to sing us a song he wrote about the mine to commemorate the miners who worked there. Click on the video below to hear his song.
For those of you who want to sing along here are the words.

'The Ballad of the Drumkeelan Mines' by local historian Eamonn Monaghan which commemorates the miners:

Deep underneath Drumkeelan, there in the freestone mines each day,
With miners' lamps to light us, we work the hours away,
We punch the holes along the line, in each we place a wedge,
And when they're right & ready, we give each one the sledge,
CHORUS
So swing the hammers high and swing the hammers low,
We must get these blocks out, today before we go,
The stone cutters are all waiting, for these are busy times,
In the Valley of Drumkeelan, where we're working in the Mines.

The stone it is above us, the stone is all around,
Our block is on the rollers, our crowbars on the ground,
We lever it so slowly, along the smooth mine floor,
And when we have it outside, sure we must go back for more,

There's a big Cathedral rising in Letterkenny Town,
They need stone for schools & halls, from here to Co. Down,
For Halls in Derry City and Sligo banks as well,
Sure, we cannot mine it fast enough, the truth to you I'll tell,

Mulreany comes from Drumnalost, here to his work each day,
The Brogans & the Harkins from Drumconnor make their way,
The Hegartys & Harveys & the Bogles come along,
With Wards from Drumagearah they make a jolly throng,

They walk it every morning, from miles & miles around,
To share their skills & ancient crafts and toil beneath the ground,
Like the monks of good St Bernard in far off distant times,
Who worked & prayed for God & Man within these very Mines,

Hearing this song sung deep in the mines was quite special. Encouraged by our applause, Eamonn went on to recite a poem he also wrote about the mines (see video below) 
When researching the mines, Eamonn wanted to get a real sense what it would have been like in there for the workers. He once spent a full week in the mines sleeping on the mine floor absorbing the complete stillness within the shafts. 
The great thing about this mine is that unlike limestone caves and mines, it is not exposed to the same kind of erosion. There are no stalactites to obscure the views. These sandstone mines are completely sterile and are exactly the same as they were in the 1950’s. Down here, I am reminded of my trip to the salt mines in Poland (read about that trip here)
Returning to the surface, evidence can be seen of how modern quarrying is destroying the mines. In the picture below, old mine shafts are hidden behind the heaps of rubble. The rock that would have been the mine roof is broken down into smaller building stone mainly used for building walls and cladding houses. (a 20 ton truck load of this stone was also donated to The Gathering of Stones project as you might remember) 
Today there is only two of the mine shafts remaining. There is talk of preserving the last two so that the history of these mines will live on and that more people will be able to come and experience these wonderful tours. Let us hope the powers that be step up and help preserve this unique piece of our heritage before it is too late. One ponders on what a wonderful unique tourist attraction this could make!    
Rónán and Jacob modelling the festival Tshirts. You can order your festival Tshirt through the DSWAI website here  

And so with the end of the tour, so too came an end to our festival. And with one last step through the 'stile' I said my farewells to Donegal and its fine people, hoping to return again soon. Now in the knowledge that I am only a comfortable 3 hour drive away I am sure I will be back a lot sooner than the next Tirconnell Stone Festival. 

From left DSWAI Chairman Sunny Wieler, festival organiser Louise Price, Canadian Jacob Murray and festival organiser Rónán Crehan  

Finnaly I would like to say a big thanks to everyone involved in making this event happen. From the quarry men to the admin people, to the tea lady and stone gatherers and of course the different organisations and local councillors who helped make it happen. 
Here in Donegal I felt a great sense of pride of county and of its stone heritage that I have not experienced to the same level in other counties. This festival is a credit to the craft and the people of Donegal. Let the dry stone revolution continue.....